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Showing posts from September, 2013

Le Quattro Volte

A very beautiful film with no dialogues at all. Empty spaces and long silence is used for self-reflection, reflecting our own act of perception. A film that needs to be seen with no preconceived notions about it. You could watch the trailer here:  http://bit.ly/17Pk0rw ** Spoiler Alert ** First Time: An old man is shown lost in vague emptiness. He probably lost his way in the society (like a goat!), and resorts to some superstitious beliefs to survive his deteriorating health. No matter how absent minded he might be, he perfectly herds the cattle. It’s like he was doing the same thing for so long that it became a mechanical process. His cautiousness about the cattle (finding the bell in the forest) is very natural. We see him die, maybe, due to already degraded health or the mishap (loosing of the sacred packet) which made him fail to carry-on his belief on which he was living. We are faced with a doubt about which of the two took his life? Second Time:  With one life f

The Prestige - 'Have you watched Closely?' - Part II

Actions of the characters in Prestige is driven by 'ambition'. The ambition of the two magicians to be better than the other. As Borden proved himself to be a better magician and sent Robert in search of Tesla; coming up with a science or real magic won't satisfy Robert's ego. Angier never got any output from Tesla. 'The evil machine' was just a wild goose chase for Borden like Tesla was for Angier. We want to know the secret but we are not really looking. We want to be fooled. Angier's Ploy:  After losing all hope with Tesla's machine, in his desperation, he turns to his double Gerald Root. He finds him and trains him well. Though the machine couldn't create magic, it could at least be a spectacle for the eyes of audience to get enough distraction. Using Root as his double and spectacle of science, he performs 'The Transported Man'. In the opening scene of the film, it was Root who was inside the water tank. Borden was to b

The Prestige - 'Have you watched Closely?' - Part I

  A story-teller and the best of his kind in Hollywood would be Christopher Nolan. Like literature, his stories has all the elements and is always told with layers within layer. Though, the fast moving shots and detailed script leaves less space for self-reflection, he presents his philosophies through the actions of his character and gives more importance to the narration/story rather than space and silence. If we would place (which we shouldn't but only for getting an idea) him in the literary world, he is closer to Charles Dickens and farther from Dostoevsky and Hemingway. "The Prestige" is a master piece of story telling; attaining the unattainable. I could write just one piece on it explaining it's perfection which many fail to notice. Because, " They are not really looking. They want to be fooled! " This film, like the magic trick, is presented in three parts: The Pledge : Here, a director shows you something ordinary. But of course...

"Which Story do you Prefer?"

Mychael Danna, beautifully crafted the music of Life of Pi and comes with probably the most soulful theme of the decade - "Which story do you Prefer". As a filmmaker, Ang lee probably made Danna feel every characters and situations and recreate it with music. We all understand that a film couldn't make us feel the temperature of sun, or the moisture at sea, it is just the music which could be close to these feelings. Likewise, in that track, there is a moment of self reflection, and probably a dilemma - Not to Pi, but to all of us who want to find a meaning out of it. As Pi asks towards the end that why you need to find meaning out of it. Because when you do, you will have to stick to your perception about truth. When you try to find meaning, you always keep trying but never get it. Like no one understood the Pi = 3.14159..... cause it's just life, raw life. You don't have to desperately try to give meaning to it. But we do give meaning to our ongoing l

Richard Parker - "So many 'Richard Parker' must mean something" - Yann Martel

Yann Martel was quoted saying "So many Richard Parker must mean something". He referred to many fictional and real characters by the name of Richard Parker who were shipwrecked and in most of the cases, resorted to cannibalism. Unlike Poe's, Martel's story instead of being gruesome is rather adventurous; while the context remains the same. Coming to the film, Richard Parker was a hunter whose name interchanged with tiger's due to clerical error. This part of the discussion will tend to represent my perceptions, maybe I am wrong, but please try to feel it with an open mind and consider it. If you think otherwise please let me know. The naming of Pi after a swimming pool is absurd and reflects the absurdity of life. I think, perhaps, Richard Parker was the actual name of Pi. As they were Hindu, it could have been Richard Patel (due to French influence in Pondicherry). In the movie poster also, half faces of both tiger and Pi is shown, probably, to point ou

Understanding Pi - In a film seemingly impossible to shoot

"If there is no God", said Dostoevsky, "man would go raving mad killing each other. They need a meaning to their life and thus created God." Camus couldn't agree more, however, he doesn't accept Russian novelist's point of faith in an unseen deity. Pi, a reader of both these great novelists, seemingly never judges their perennial philosophies. And even towards the climax, he asks Henry what he prefers; not what he chooses or believes. It was never for Pi to decide whether it was Dostoevsky or Camus he would choose for his reality, and he doesn't. Moreover, there is a difference in choosing and preferring. But, this story shows that we choose what we prefer as better for us. For Ang Lee, it goes like this play by Camus "The Possessed". It bega as a comedy (A very beautiful one), then becomes more dramatic and ends as a tragedy. For many, Life of Pi could be this blissful journey with no tragedy at all, well, we will come to that per

Life of Pi

3.14159265358979323846264338327950288419716939937510... a never ending number with no logic, made some people believe in god. After watching this film for the fifth time, i thought may be it's time to write something about it. It encapsulates so much through symbolism and momentary frames which is not possible to describe.  It is a journey, it is a feeling, Alas! it is a moment! **Spoiler Alert** For those who haven't seen the film. Let's start with the book. I haven't read the book. A film is director's perception of a story and i wanted to feel and understand that' rather than Yann Martel's perception/belief/truth. Though, I decided to read ' Beatrice and Virgil ' to try to feel Yann Martel and believe me, he is a hell of an experimental storyteller. When we think there can be no new way of narrative story telling, he comes up with fantastic unbelievable ways to show you what he wants. However, the basic idea of using animals to

Does something really matter in this absurdity?

I loved this image and couldn't resist posting it! Absurdity , well that's Camus' word for life, Anderson's form of filming existence and Nirvana's symphonies. So we question in this absurdity does something really matter? Then again, it's a trap of meaning of words ' really ' and ' matter ' . May be life goes like the song Bohemian rhapsody . So, this blog is dedicated to the research of films (not movies) that matters to me... or maybe i made them matter to me... it doesn't matter!