Nuri Bilge Ceylan - The Wild Pear Tree

The whimsical phrases of 'Capital I'

10 years from now, this film would be remade and probably then the original would be looked upon. There hasn't been a cinematic piece in a long time which was driven solely by such individualistic expression. Be it the philosophical discussion or contemplative imagery, everything screams of the psyche of one individual - 'Capital I'. **Read this after watching the film once** Visually profound and intelligently crafted, at the core of this film you can find an identity and a story embedded in each other. The story of a girl struggling to identify herself with a strict sexual orientation and resorts to 'something' to escape her reality, while a physics professor helps her resolve the conflict in her mind. The identity of a mysterious character named Capital I is presented through its work - visuals and poetry, driven by curiosity among various characters in the film about it. The film portrays the two themes uniquely, bravely. However a harmonic fusion betw...

Sheru

'Sheru' is a Hindi word meaning LION in English, this was the closing statement of the film which stayed with me a lot longer than it's running time. An euphoric feeling of finding something special mixed with an attachment to the characters and story, made me write about it. Even though the structure is that of a typical Hollywood narrative - context, conflict, climax, but the film is more about the emotional depths it touches in that structure. The film left three words in my mouth - 'Brilliant Fucking Acting'. - Read this after watching the film once - As exhilarating it was an experience of discovering one's identity, this film, for it's commercial viability, has been biased to portray a one-dimensional story. However, the director leaves a few cues here and there to instill curiosity in the mind of an active watcher for other characters as well. Nicole Kidman playing the role of Sue Brierley narrates a vision of hers in which She sees a brown...

From the Tarkovsky of our times

And, let me just refrain myself from hiding an original work under the name of already established, by saying that there is no similarity, but reminiscences. The concept of a figuratively living 'idea' is not so absurd, it is rather a poetic device that the writer-director explores in a visual medium. Unlike the mysterious, dark and trance inducing psychological thriller Capital I, this second feature film by Amartya Bhattacharyya is a celebration of art, dreams, emotions, ideas - all that a creative mind cherishes, in an open and lush green picturesque setting with music that uplifts or tickles playfully. Though strikingly different in many aspects, the two works seem to complement each other. The various shades in the spectrum of work of the maker cannot be understood, only with either. In a place called wonderland, idea is born, we are unsure how it was conceived in the first place, however, we see the idea alive - playing with kids, resting, smiling, but nev...

Films that Matter

Search This Blog